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Ethel Merman.

Ethel Agnes Zimmermann

Ethel Merman — Actor
Born Astoria, Queens, United States
Died Manhattan, United States
Citizenship United States
Would Be 118 yr If Living

13 min read

Reading time

2,567

Words

Published

4

Awards

TL;DR

Broadway’s quintessential belter, Ethel Merman originated Reno Sweeney in Anything Goes 1934, Annie Oakley in Annie Get Your Gun 1946, and Mama Rose in Gypsy 1959. She won a Tony Award for Call Me Madam in 1951. Her powerful, untrained voice made her the preferred interpreter for Irving Berlin and Cole Porter.

Identity & family.

KIN · 6

Names, aliases, and relatives of Ethel Merman — birth name, kin, and personal ties.

Birth Name Ethel Agnes Zimmermann
Aliases Miss Ethel Merman
Spouses
Ernest Borgnine Robert Logan Forman Six Robert Daniels Levitt William B. Smith
Children
Ethel Levitt Geary Robert Levitt Jr.

At a glance.

STATS

Ethel Merman by the numbers — life, work, and family.

76 Years lived
4 Awards
4 Marriages
2 Children

Who was Ethel Merman?

BIOGRAPHY

Ethel Merman — early life, career, personal life, and legacy.

Early life

Ethel Agnes Zimmermann was born on January 16, 1908 in the Astoria section of Queens, New York City. Her father Edward was a bookkeeper of German descent, and her mother Agnes had Scottish immigrant roots. She grew up at 29-08 31st Avenue in Astoria and graduated from William Cullen Bryant High School in 1924.

Before her show business career, Merman trained as a secretary, learning shorthand and typing, and supported herself with clerical jobs. She was raised a strict Episcopalian, a background that contrasted with the boisterous stage persona she developed.

Career

On October 14, 1930, Merman made her stage debut alongside Ginger Rogers in Girl Crazy, introducing the song I Got Rhythm by George and Ira Gershwin. The performance instantly established her as a Broadway force.

She originated the role of Reno Sweeney in Cole Porter’s Anything Goes in 1934, a role she reprised in the 1936 film. In 1946, she played Annie Oakley in Irving Berlin’s Annie Get Your Gun, delivering There’s No Business Like Show Business and You Can’t Get a Man with a Gun. Her next success came with Call Me Madam in 1951, earning her the Tony Award for Best Actress in a Musical.

Her final original Broadway role was Mama Rose in Gypsy in 1959, a performance she considered her favorite. The show’s anthem Everything’s Coming Up Roses became her signature. Merman also appeared in films, including the musicals Anything Goes 1936 and Call Me Madam 1953, and a cameo in the 1980 comedy Airplane!

Personal life

Merman was married four times. Her first marriage to William B. Smith lasted from November 1940 to October 1941. She then married Robert Daniels Levitt in December 1941; they had two children, daughter Ethel born July 20, 1942 and son Robert Levitt Jr. born August 11, 1945, before divorcing in June 1952.

In March 1953, she married Robert Logan Forman Six, CEO of Continental Airlines; they divorced in December 1960. Her most notorious marriage was to actor Ernest Borgnine in June 1964. They separated after 11 days, and Borgnine filed for divorce on October 21, charging mental cruelty. Merman later devoted a blank page in her autobiography to that marriage.

Her daughter Ethel died of a drug overdose on August 23, 1967, ruled accidental. Merman also suffered a miscarriage during her marriage to Levitt. She kept her Christmas tree up year-round due to her love for Christmas. After her divorce from Borgnine, she remained single.

Legacy

In 1972, Merman received a Career Achievement Tony Award and earned two stars on the Hollywood Walk of Fame for motion pictures and recording. Her voice, loud enough to be heard in the third balcony, earned her the nickname Old Yeller. She inspired generations of performers, and her recordings of I Got Rhythm and Everything’s Coming Up Roses remain definitive.

Her 1979 disco album became a cult favorite, especially in the gay community. Diagnosed with stage 4 glioblastoma in April 1983, she died of natural causes on February 15, 1984 at age 76.

Merman’s legacy endures as the pre-eminent star of Broadway musical comedy, an untrained singer who could belt out a song with unmatched power, and the originator of some of the most enduring roles in musical theater history.

Awards & honors.

AWARDS · 4

Every award, honor, and recognition received by Ethel Merman — Grammys, hall-of-fame inductions, civic honors, lifetime achievements.

  • Tony Award for Best Actress in a Musical
  • star on Hollywood Walk of Fame
  • Drama Desk Award for Outstanding Actress in a Musical
  • Hasty Pudding Woman of the Year

Notable quotes.

QUOTES · 7

A wall of memorable lines from Ethel Merman — lyrics, interviews, and off-the-cuff remarks captured over a lifetime.

  • I Can Never Remember Being Afraid of an Audience. If the Audience Could Do Better, They’d Be up Here on Stage and I’d Be Out There Watching Them.

  • I Don’t Want to Sound Pretentious, but in a Funny Way I Feel I’m the Last of a Kind. I Don’t Mean That There Aren’t Some Girls Out There Somewhere Who Are Just as Talented as I Was. but Even If They Are, Where Will They Find the Shows Like Girl Crazy, Anything Goes, Annie Get Your Gun, Call Me Madam and Gypsy? They Just Don’t Produce Those Vehicles Anymore.

  • I Take a Breath When I Have To.

  • I Can Hold a Note as Long as the Chase National Bank.

  • Broadway Has Been Very Good to Me. but Then, I’ve Been Very Good to Broadway.

  • You’ll Never Prove You’re Too Good for a Job by Not Doing Your Best

  • Not to Pat Myself on the Back, but When I Do a Show, the Whole Show Revolves Around Me. and If I Don’t Show Up, They Can Just Forget It!

Did you know?

FACTS · 43

Little-known facts about Ethel Merman — origins, oddities, and behind-the-scenes details from a public life.

You wanted to know.

FAQ · 30

Quick answers to the questions readers ask most about Ethel Merman.

Audited & updated by

Emma Richardson

Senior Editorial Director & Managing Editor

Emma has 8 years of editorial experience and a very clear idea of what a good biography looks like. At Famousy, she runs the editorial operation and decides what meets the bar and what doesn't. She's the kind of editor who remembers the profiles she pushed back on more clearly than the ones she approved. That's not a complaint. That's exactly why the site reads the way it does.

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