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French poet and screenwriter of Les Enfants du Paradis 1945 and other films.
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In 1961, Serge Gainsbourg paid tribute to Les feuilles mortes in his song La chanson de Prévert, and the poem also bookends Iggy Pop’s 2009 album Préliminaires.
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His poems often describe life in Paris and the post-World War II period, and are widely taught in French schools and French language textbooks worldwide.
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Prévert remained supportive of left-wing causes; in 1971 he wrote a poem in support of Angela Davis after her arrest.
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In 1918, he was called up for military service in the First World War, then sent to the Near East to defend French interests.
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In 2007, a film adaptation of his poem To Paint the Portrait of a Bird was directed by Seamus McNally.
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He died of lung cancer in Omonville-la-Petite on 11 April 1977, while working on the final scene of the animated film Le Roi et l’Oiseau with Paul Grimault. The film, released in 1980, was dedicated to his memory; on opening night Grimault kept the seat next to him empty.
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His dog Auto was given to a family friend after his death.
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Prévert’s poems are translated into many languages; poet Suman Pokhrel has translated some into Nepali.
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His films, such as Les Enfants du Paradis 1945, are part of the poetic realist movement.
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Prévert wrote several screenplays for director Marcel Carné, including Drôle de drame 1937, Quai des brumes 1938, Le Jour se lève 1939, Les Visiteurs du soir 1942, and Children of Paradise 1945, which earned an Oscar nomination for best original screenplay.
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After receiving his Certificat d’études, he quit school and worked at the Paris department store Le Bon Marché.
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He published his first book in 1946.
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Jacques Prévert was a French poet and screenwriter; his poems are popular in the French-speaking world.
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He adapted several Hans Christian Andersen tales into animated or live-action films, often loosely connected to the originals, including two with Paul Grimault and one with his brother Pierre Prévert.
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He was a member of the agitprop theater company Groupe Octobre, helping craft a left-wing cinema in support of the Popular Front.
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He also wrote sketches and spoken choruses for theatre, songs, scripts and dialogues for cinema, and was a writer of poetic realism.
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His poems were the basis for Joris Ivens’ film The Seine Meets Paris 1957, with narration by Serge Reggiani.
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In primary school, he initially hated writing; later he participated actively in the Surrealist movement and was part of the Rue du Château group with Raymond Queneau and Marcel Duhamel.
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Some of his poems, including Les feuilles mortes, L’Addition, La grasse matinée, Les bruits de la nuit, and Chasse à l’enfant, were set to music by Joseph Kosma, Germaine Tailleferre, Christiane Verger, Marjo Tal, and Hanns Eisler, and sung by Marianne Oswald, Yves Montand, Édith Piaf, Joan Baez, and Nat King Cole.