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Sylvia Sidney.

Sophia Kosow

Sylvia Sidney — Actor
Born The Bronx, United States
Died New York City, United States
Citizenship United States
Would Be 116 yr If Living

11 min read

Reading time

2,144

Words

Published

2

Awards

TL;DR

Sylvia Sidney, born Sophia Kosow on August 8, 1910, in the Bronx, New York, became a 1930s film star with City Streets 1931 and Madame Butterfly 1932. She earned an Oscar nomination for Summer Wishes, Winter Dreams 1973 and later appeared in Beetlejuice 1988 and Mars Attacks! 1996. A lifelong heavy smoker, she died of throat cancer on July 1, 1999, at age 88.

Identity & family.

KIN · 3

Names, aliases, and relatives of Sylvia Sidney — birth name, kin, and personal ties.

Birth Name Sophia Kosow
Nicknames The Woman with the Heart Shaped Face, The Saddest Eyes in Hollywood, Sid
Aliases Sylvia Sydney
Spouses
Carlton Alsop Luther Adler Bennett Cerf

At a glance.

STATS

Sylvia Sidney by the numbers — life, work, and family.

88 Years lived
2 Awards
3 Marriages

Who was Sylvia Sidney?

BIOGRAPHY

Sylvia Sidney — early life, career, personal life, and legacy.

Early life

Sophia Kosow, later known as Sylvia Sidney, was born on August 8, 1910, in The Bronx, New York City, to Jewish parents who divorced soon after. Her mother remarried, and young Sophia was adopted by her stepfather, Sigmund Sidney. As a shy only child, her parents encouraged her to be more outgoing. At age 15, she decided on a stage career and enrolled in the Theater Guild’s School for Acting, drawn not by stardom but by the expression of beauty in acting.

Career

Sidney’s stage work caught the eye of a New York Times critic, leading to her film debut in Broadway Nights 1927. She gained stardom in 1931 with City Streets, replacing Clara Bow, and followed with Ladies of the Big House 1931 and Merrily We Go to Hell 1932 opposite Fredric March. In Madame Butterfly 1932, her performance as Cho-Cho San was praised. She continued through the 1930s with films like Jennie Gerhardt 1933 and Mary Burns, Fugitive 1935. After a decline in roles, she returned in Blood on the Sun 1945 with James Cagney. In 1973, she earned an Oscar nomination for Summer Wishes, Winter Dreams, playing the mother of Joanne Woodward’s character. Later, she appeared in Tim Burton’s Beetlejuice 1988 as Juno and Mars Attacks! 1996 as the heroine whose music taste saves Earth.

Personal life

Sidney married Bennett Cerf, president of Random House, on October 1, 1935; they separated after three months and divorced in 1936. Cerf later quipped, One should never legalize a hot romance. She then married actor Luther Adler on August 13, 1938, with whom she had a son, Jacob Jody, born October 22, 1939; they divorced in 1946 but remained friends. Her third marriage was to writer Carlton Alsop from March 5, 1947 to March 22, 1951. Sidney was a lifelong heavy smoker, even smoking during chemotherapy, and died of throat cancer on July 1, 1999, at age 88 in New York City.

Legacy

Sidney earned the nicknames The Woman with the Heart Shaped Face and The Saddest Eyes in Hollywood. She received a star on the Hollywood Walk of Fame on February 8, 1960, and won a Golden Globe Award for Best Supporting Actress in a Series, Miniseries or Television Film. In 2020, Turner Classic Movies honored her with a day of her films during the Summer Under the Stars Festival. Her distinctive voice, Oscar-nominated performance, and late-career work in Tim Burton films define her legacy.

Awards & honors.

AWARDS · 2

Every award, honor, and recognition received by Sylvia Sidney — Grammys, hall-of-fame inductions, civic honors, lifetime achievements.

  • star on Hollywood Walk of Fame 1960
  • Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film

Notable quotes.

QUOTES · 10

A wall of memorable lines from Sylvia Sidney — lyrics, interviews, and off-the-cuff remarks captured over a lifetime.

  • Every Young Actress Thinks She’s a Tragedian – the More Tragic Roles, the More You Cry, the More You Suffer, the Better an Actress You Are. But, When I Got a Little Older, a Little More Mature, I Wanted to Get Out of My Image of the Victimized Kid. I Began to Say, “Wait a Minute. There’s a Thing Called Comedy That Takes an Even Rougher Intelligence and More Technique and Knowledge of the Craft.

  • I’d Be the Girl of the Gangster… Then the Sister Who Was Bringing up the Gangster… Then the Mother of the Gangster… and They Always Had Me Ironing Somebody’s Shirt.

  • What Did Hitchcock Teach Me? to Be a Puppet and Not Try to Be Creative.

  • Paramount Paid Me by the Tear.

  • Prima Donnas in Anything Are Bad… Having a Child Was a Great Leveling Agent. Those Babies Couldn’t Care Less That Their Parents Were Famous.

  • Women Who Try to Hide Their Age Just Call Attention to It. Why Lie About It? I Don’t Feel Any Younger… I Don’t Look Any Younger. Somebody Finds Out About Your Real Age Eventually. It’s Easier to Be Frank About It… I’ve Enjoyed Every Age in My Life. I’ve Never Wanted to Go Back.

  • What’s the Use of Talking About a Favorite Role If You Can’t Get It… the Role You’re Doing Ought to Be Your Favorite. If You Don’t Like a Part It’s Probably Because You’ve a Feeling of Inadequacy About It.

  • Hollywood! It’s Like an Old Chair – If It’s Useful, Keep It; If Not, Give It to Goodwill.

  • If It’s a ‘Role’, It’s Lady Macbeth. It’s Juliet. the Things I Did Were ‘Parts’. They Were Jobs.

  • I Didn’t Say I *Felt* I Was Paid by the Tear. I Said I Was *Paid* by the Tear. It Was Not a Feeling I Had, It Was a Fact.

Did you know?

FACTS · 20

Little-known facts about Sylvia Sidney — origins, oddities, and behind-the-scenes details from a public life.

You wanted to know.

FAQ · 46

Quick answers to the questions readers ask most about Sylvia Sidney.

Audited & updated by

Michael Hayes

Senior Copy Editor & Editorial Fact Reviewer

Michael is the last person to read a profile before it goes live, which makes him the one who catches what everyone else missed. 5 years as a copy editor has given him a sharp sense for what's off. A wrong year, a vague credit, a sentence that almost makes sense but doesn't quite. He's especially thorough with filmographies. He'll tell you that's where most of the errors hide. He's right.

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